{"id":1590,"date":"2014-07-26T01:17:41","date_gmt":"2014-07-26T05:17:41","guid":{"rendered":"http:\/\/svetanyc.com\/?p=1590"},"modified":"2015-09-16T20:51:18","modified_gmt":"2015-09-17T00:51:18","slug":"delphi-greece-july-2014","status":"publish","type":"post","link":"http:\/\/192.168.2.119:1984\/svetanyc\/2014\/07\/delphi-greece-july-2014\/","title":{"rendered":"Delphi, Greece. July 2014"},"content":{"rendered":"
July 25, 2015<\/strong><\/p>\n Today, D. and I started our road trip around Greece and on our first day, we planned to visit 3\u00a0places:<\/p>\n Night we planned to spend in Kalabaka, at the foothill of Meteora site.<\/p>\n <\/a><\/p>\n We started our drive very early in the morning and about an hour later (88 km from Chalandri) we arrived to Thiva<\/a><\/strong>. One of the world’s longest inhabited city, its history goes back for 5 millennia; it was an important Mycenaean center in the middle of the Bronze Age and a very powerful city-state during the Classical period. The city participated in Persian and Peloponnesian wars and in the early 4th century BC it became the most powerful city in Greece<\/a>.<\/p>\n You won’t find a single place in Greece that won’t have a mythological reference, Thiva (Thebes) is not an exception. Actually, there are several myths associated with the city.\u00a0In mythology, the city was founded by a Phoenician king from Tyre<\/a> (now in Lebanon)\u00a0Cadmus<\/a>, son of Agenor, brother of Europa, and ancestor of Oedipus<\/a>.\u00a0The myth says that after killing a giant serpent (or dragon) which Ares<\/a> had sent to protect the Areia Spring, Athena<\/a> instructed Cadmus to sow the serpent\u2019s teeth into the ground from which sprang up warriors who would found the city of Thebes. \u00a0Also, according to Herodotus<\/a>, it was Cadmus who introduced the Phoenician alphabet<\/a>\u00a0to Greece and built the Acropolis, named the Cadmeia<\/a> in his honor, that became an intellectual, spiritual, and cultural center.<\/p>\n Thebes was, according to legend, the birthplace of the mythological pan-Hellenic\u00a0hero Hercules<\/a>. It was also the place where the Sphinx<\/a> – a mythical creature with a woman\u2019s head and a winged lion\u2019s body – appeared to terrorize the area until her riddle was solved. She\u00a0asked passersby to identify the creature that might have two, three, or four feet, could move in air, water, and on land, and moved slower the more feet it had. Oedipus solved the riddle (which was “man”) and in a rage the Sphinx leapt to her death from the Camdeia. Another mythological story connected to the city is the legendary expedition of The Seven Against Thebes<\/a> (and subject of the play of the same name by the 5th century BC tragedian, Aeschylus), but list of myths doesn’t end here.<\/p>\n Strategically situated on a low plateau of Boeotia, Thiva was first inhabited around 3000 BC.\u00a0From 2500 BC there is evidence of food and wool production and storage. Trade, both local and further afield, is suggested by the presence of precious goods such as gold, silver, ivory, and Cycladic influenced stone vessels. From 2000 BC the site expanded with the first presence of stone cists and pits for burials and shaft graves which contained precious objects. From 1700 BC the settlement became more populous, and the site reached its Bronze Age peak during the Mycenaean period. There is evidence of palatial buildings of two stories and with wall paintings, greater fortifications (probably of a Cyclopean nature and referred to in Homer\u2019s Iliad<\/a>), workshops (especially for jewelry), and stone-built aqueducts with terracotta pipes. Clay Linear B tablets and seals suggest the site was an important trading centre in olive oil, wood, livestock, wool, and leather goods.\u00a0The end of this period is marked by evidence of earthquake and fire damage.<\/p>\n Following the Dark Ages in Greece (c.1100 to 700 BC), Thiva re-emerged as an influential Greek city-state and for the next four centuries the city would be a constant rival to Athens and Sparta for regional dominance. In 480 BC Thebes sided with\u00a0Persia when Xerxes<\/a> invaded Greece (though a contingent of 400 was sent to Thermopylae and remained there\u00a0alongside the Spartans to the end), and the city was a major protagonist in the\u00a0Peloponnesian War <\/a>from 431 to 404 BC, siding with Sparta against Athens (yet in 403\u00a0BC they secretly supported the restoration of democracy in Athens in order to find in it a counterpoise against Sparta).<\/p>\n In the 4th century BC, two Theban leaders achieved long lasting fame: Pelopidas<\/a>, who was the subject of one of Plutarch\u2019s Lives<\/a>,<\/em> and the brilliant military strategist and student of philosophy, Epaminondas<\/a>. These two generals, Pelopidas campaigning in central and northern Greece and Epaminondas in the Peloponnese, were largely responsible for Thiva’s greatest period of regional dominance.<\/p>\n An unusual feature of the Theban army was the Sacred Band of Thebes<\/a>. This was a military corps founded by Gorgidas and consisting of\u00a0300 infantrymen linked in homoerotic pairs, the idea was that soldiers would fight better if their lover were at their side. The Sacred Band, used for the first time as an independent unit by Pelopidas, defeated the Spartans at the Battle of Tegyra in 375 BC. Even more decisive was the Battle of Leuktra in 371 BC<\/a>, where the Spartans were roundly defeated and where the victory monument set up by the Thebans is still visible today. This was sweet revenge for Sparta\u2019s imposition of a garrison at Thebes from 379 to 376 BC. Victorious, Thebes created a new Arcadian capital at Megalopolis and was now firmly established as the most powerful city-state in Greece. Incidentally, a young Philip II, the future king of Macedonia, was captured by Pelopidas whilst campaigning in Thessaly and taken hostage to democratic Thebes where he studied military tactics.\u00a0The Sacred Band remained undefeated until 338 BC and the invasion of the Macedonians.<\/p>\n In 364 BC Pelopidas was killed (but victorious) in the Battle of Cynoskephalai<\/a>.\u00a0Two years later, Epaminondas fell in the Battle of Mantinea<\/a> against a Spartan and Athenian led alliance. With the loss of their two great generals, Theban dominance began to wane and Sparta and Athens would become the two major players in Greece.\u00a0In 338 BC Thebes joined old rivals Athens and Corinth in order to face the invading army of Philip II of Macedonia in the Battle of Chaeroneia<\/a>. Thebes ended on the losing side, the city was destroyed by Alexander the Great – Philip’s II son (except for the house of the poet Pindar<\/a> and the temples),\u00a0and the population was sold into slavery.<\/p>\n After Alexander’s death, Thebes was re-established in 315 or 316\u00a0BC\u00a0by Cassander<\/a>, perhaps in his desire for fame,\u00a0however the city-state never returned to its former prominence or power.\u00a0From the 10th century, Thebes became a centre of the new silk trade and by the middle of the 12th century, the city had become the biggest producer of silks in the entire Byzantine empire, surpassing even Constantinople<\/a>. \u00a0The Frankish dynasty de la Roche made Thiva its capital – the castle built by Nicholas II of Saint Omer<\/a> on the Cadmeia was one of the most beautiful of Frankish Greece. Latin hegemony in Thebes lasted to 1458, when the Ottomans captured and retained it until the War of Independence<\/a>\u00a0in 1832.<\/p>\n The fact that the modern town lies directly upon the historical site has created difficulties in reconstructing an accurate history for the ancient city. It is also the reason why Thiva has so few vestiges of its prior glory, except for the archeological museum, which sadly was closed for renovation. However, as a history buff, I couldn’t skip this town, so we stop in the center for 30 minutes and wandered around.<\/p>\n <\/a><\/p>\n From Thebes (100 km and 1.5 hours), our route took us to the place that enchanted me from childhood – Delphi<\/a>\u00a0 <\/strong>(book recommendations are here<\/a>). Myth says that Zeus sent two eagles (one to the west and one to the east) in order to find the\u00a0omphalos<\/a>, or navel of Gaia (Mother Earth). The eagles met in Delphi, establishing\u00a0the center of the world. Dominating the slops of Parnassus, for over a thousand years this picturesque site played the most important role in deciding the destinies of the states, kings and regular people. It met its visitors with a statement “Know Thyself”\u00a0inscribed on the Temple of Apollo, a warning or even a threat that Pythia’s Oracle won’t be understood unless you know who you really are. It is still very much a mystery place!<\/p>\n In remotest antiquity the site was perhaps of only limited importance, however, in Mycenaean times, from 1400 BC, Delphi, the “rocky Pytho” of Homer<\/a>, was a sanctuary of a female deity Ge, who gave\u00a0oracles through prophetess. Mycenaean Delphi was destroyed by a rock fall towards the end of the Bronze Age. Delphi prospered again in the 8th century BC when it was for the first time associated with the cult of Apollo. According to the Homeric Hymn to Pythian Apollo, on this site Apollo killed the Pytho, a female serpent who guarded the prophetic spring Kassotis. He built his first temple in a wooden grove at Delphi and gave oracles in the shrine of Ge through a Pythia (priestess), who sat bound at the mouth of a chasm in the earth from which “vapors” arose. The first priests of Apollo were Cretans whom Apollo, disguised as a dolphin (hence the name – Delphi) guided to this place from a sea voyage. After seeing this barren rocky place, marines appealed to Apollo worried that they wouldn’t be able to survive here, where the god replied that they would live effortlessly from the offerings of his worshippers and surely they did! In the mid-8th century BC the brothers Trophonios and Agemedes, who were famous for their exploits, built the first ashlar masonry temple of Apollo.<\/p>\n Later in the blog I will describe in more details the buildings and traditions associated with Delphi, but now, I would like to spend more time talking about what made Delphi so famous – the Oracle of Delphi. Greek mythology speaks of many prophets (such as the Oracle of Dedona, Pyrkooi, Amphictyon etc), however, no sanctuary surpassed Delphi in reputation, wealth and power, and\u00a0not only in Greece but through all the then-known world. Apollo himself spoke through the Pythia. Originally it happened only once a year, probably during Apollo’s birthday in Feb-March. From the 6th century BC onwards (as the popularity and demand increased), the Oracle prophesied on the 7th day of every month, except for the 3 winter months when Apollo, according to the myth, left the sanctuary and Dionysus (god of wine and revelry) took over his place. Originally, the Pythia was a woman over 50 y.o. who left her family to enter the service of Apollo and lived in a special dwelling in the sanctuary. She didn’t have to be rich, from a good family or particular beautiful. Once the patronage and the reputation of the Oracle increased, two more Pythias were added. In addition, cities that had a permanent representative at Delphi were given the privilege of promanteia, which meant that they could consult the Oracle on any day if “the gods were willing”.<\/p>\n The ceremony went in the following order. At daybreak, the Pythia would go to the Kastalian Spring to purify herself, she would drink from the other sacred spring Kassotis and chew laurel. Priests would ceremoniously escort her to the inner shrine (adyton) of the temple of Apollo. The Pythia would sit on the sacred tripod (the chair of Apollo), by the mouth of chasm at the site of the omphalos. The visitor first paid for the service of Oracle, then drew a lot for order of preference and waited for his turn around the outside altar. When his turn came, he would be brought\u00a0to a special seat at adyton and seated behind the curtain without seeing the Pythia. He would ask her a question (either in written or oral form) through one of the priests who would read it to the Pythia. She, hypnotized or drugged by the vapors coming from the fissure in the ground, would reply in incoherent words, incomprehensible shouts and shrieks which the priests would interpret into hexameters, write them down and give them to the visitor. (It has been speculated that a gas high in ethylene<\/a>, known to produce violent trances, came out of this fissure, though this theory remains debatable). The ambiguous answer was interpreted by the visitor as it pleased him and, only if the future turned out otherwise, did he see the true answer. One of the most famous oracles is the reply to Croesus, king of Lydia, who asked if he would defeat the Persians. The Oracle replied “If Croesus crosses the River Halys, a great power will be destroyed”. Croesus interpreted the oracle in his favor, crossed the river between Lydia and Persia with a great army and was defeated. The Oracle had been right again.<\/p>\n Important to mention that Delphi was also famous for its Pythian Games, that took place every 4 years in the end of August. It lasted 7 days and was very different from other Games, as besides having the “traditional” sport contests, they also held drama and musical competitions. Winners were prized with the laurel crowns and the right to set up their statue in the sanctuary.<\/p>\n Since the 8th century BC Delphi exerted considerable influence throughout the Greek world (and even Egypt), and the Oracle was consulted before all major undertakings: wars, the founding of colonies, before entering marriages and so forth. Despite the raid from Sulla<\/a> and Nero, the site\u00a0relatively flourished till the time\u00a0of emperor Hadrian<\/a>, who is believed to have visited the oracle twice. By the 4th century BC, Constantine the Great<\/a>\u00a0looted several monuments, most notably the Tripod of Plataea<\/a>, which he used to decorate his new capital, Constantinople.\u00a0Despite the rise of Christianity across the Roman Empire, the oracle remained an active pagan centre throughout the 4th century.\u00a0Hagiography has it that in 362, on behalf of his emperor Julian the Apostate, Oribasius<\/a> visited the Delphic oracle, now in a rather desolate state, offering his emperor’s services to the temple and, in return, receiving one of the last prophecies by the Delphic Pythia:<\/p>\n Tell the emperor that my hall has fallen to the ground. Phoibos no longer has his house, nor his mantic bay, nor his prophetic spring; the water has dried up.<\/em><\/p>\n The Pythian Games continued to be held at least until 424, however, the decline was inevitable. The site was completely abandoned in the 6th or 7th centuries\u00a0and the small and insignificant village of Kastri was founded on the site.<\/p>\n <\/a><\/p>\n The large archeological site of Delphi is divided in two by the Spring of Kastalia. The east side is the Sanctuary of Athena Pronaia, the Gymnasium, the east cemetery etc. and the west side is the Sanctuary of Apollo, the Stadium, the ruins of the city and the museum. Excavated in the later 19th century by the French Archeological School, it is on the list of the UNESCO- protected World Heritage Monuments. Entrance fee is \u20ac9, please allow yourself at least 3-4 hours.\u00a0It is not longer the sacred place, but please remember to be respectful of the site and its sanctity.<\/p>\n We parked along the road by the Kastalian Spring<\/a>.<\/strong>\u00a0The purifying water of the spring gushed from the slopes of the Phaedrida, called Hyampeia in antiquity, and flowed into a narrow gorge, where myth had it that the dread guardian of the oracle Pytho(n), the son of Earth, had its lair. The stone fountain of the same name was built along the side of the road that led to the precinct of Apollo in the early 6th century BC. It supplied the sacred oracle with water, which served for the purification of both priests and faithful who entered the sanctuary. During the long use over the century, the Kastalia spring of the Archaic period which is mentioned by Herodotus, Pindar and many other poets, underwent many repairs and alterations.\u00a0In the present day, it consists of a rectangular basin divided into a central and two side chambers. The\u00a0facade of the central chamber was decorated with semi-columns and four (or seven) bronze lion-dead spouts. In the 1st century BC, the archaic fountain was replaced by another construction deep in the rock, at a distance of about 50 m from the earlier one. The niches above the basin, which were rock-hewn, received minor votives by pilgrims, normally figurines offered to the water-nymph Kastalia. During the Ottoman period, one of the three large niches was converted into the apses of a small church dedicated to St. John the Baptist. Even today, the cold and clean waters of the Kastalian spring continue to flow from a smaller and to be sure less impressive fountain.<\/p>\n <\/a><\/p>\n We decided to check out the Sanctuary of Apollo<\/a><\/strong> first. The area is located on a steep slope at the base of the western Phaedriada, today called Rodini. It is believed that Ge was originally worshipped at the same site, which was later connected to the cult of Apollo and the role played by the Oracle. The site of the sanctuary was surrounded by a built enclosure wall in which entrance gates were opened on the east and west. Throughout its history the city expanded multiple times and so did the walls. The first stone temple of Apollo and most of the treasuries (the small, temple-shaped buildings that housed votives by cities in memory of military victories and noble deeds) were erected in the 6th century BC. The elegant Treasury of the Siphnians, the restored Treasury of the Athenians, the treasuries of the Corinthians, Megarians, Boeotians were all built in the 6th century BC. The nuclei of spatial arrangement in the precinct were primary the Temple of Apollo and the Sacred Way, which after starting from the main entrance in the south-east corner of the enclosure, followed the winding course to terminate at the temple in front of the large altar, a Chiot votive. Over time, hundreds of valuable votives were set up along the road, including statues of gods and mortals, tripods and other works of art mounted on inscribed bases, columns and stelai, giving the precinct the appearance of a unique open-air museum even in antiquity. Today, only a few of these are preserved. The enclosure wall was extended northward to include the theater, built on steeply sloping ground. The city’s ancient Stadium is 500 m beyond the sanctuary but accessible via a small ascending path. The city must have been fabulous when all the buildings were still standing surrounded by the wall of Apollo, however, it still took my breath away the moment I stepped on the Sacred Way.<\/p>\n <\/a><\/p>\n The sanctuary of Apollo was accessed through 5 small entrances, the main entrance and beginning of the Sacred Way<\/em>, over which the processions for the Pythian Games and other celebration passed, were at the site were the Roman Agora<\/em> was built (p.1). The tiled square outside the main entrance betrays its Roman construction, especially on the north side where there were shops at the back of the Ionic stoa, in which visitors and suppliants could buy small offerings to Apollo, such as figurines, small vases, tripods etc. Plinths and bases, some of which are preserved, supported statues of Roman emperors and other important people. The columns of the stoa have been restored (1977) and marble architectural fragments have been assembled in the stoa and shops.<\/p>\n <\/a><\/p>\n The messengers sent to inquire of the oracle entered the sanctuary just as we did after being purified in the Kastalian spring. Cities-states throughout Greece erected buildings and statues dedicated to Apollo on either side of the Sacred Way. Today, only bases are preserved, together with a wealth of inscriptions that makes the Delphic sanctuary the largest open-air library of authentic ancient texts. Among the most important monuments<\/em> at the start of the Sacred Way were:<\/p>\n <\/a><\/p>\n If you look back at the first turn of the Sacred Way, you can imagine the street that must have contained over a hundred bronze statues of gods, demi-gods, mythical representations and historical personalities, generals, admirals, a bull, the Trojan horse, groups of equestrian fighters and, probably, many other offerings which have disappeared. They must have presented a wonderful picture of Greek mythology, religion, history and art.<\/p>\n One of the monuments to watch out for along the Sacred way is the sacred omphalos of Delphi<\/em> (p.28a)\u00a0which, according to the myth, was thrown by Zeus once he established the center of the world. As I mentioned earlier, omphalos, together with a sacred tripod and a prophetic laurel were in the adyton of the Temple of Apollo, where the Pythia pronounced her oracles. Beneath the omphalos was the tomb of Pytho(n), son of the first prophetess Gaia, or that of Dionysus, the sanctuary’s second god. The omphalos was covered with a woolen net with attached bands of wood, called the agrenon. According to Pausanias, at the points where the bands were tied between them were precious stones carved in the shape of gorgons, while two golden eagles were affixed to its top. There were many copies of the sacred omphalos at the sanctuary, among them the one in the middle of the Sacred Way (the original one is in the Museum of Delphi).<\/p>\n <\/a><\/p>\n At this point a small square, like a stair landing, is made by the Sacred Way turning a corner, while another flatter road comes from the south gate of the temple. We are at the ruins of the Sicyonian and Siphnian Treasuries.\u00a0<\/em>I mentioned earlier that the treasuries were small temple-shaped buildings dedicated by the Greek city-states and their colonies at sanctuaries. They often housed precious votives of the cities that had dedicated them. The Sicyonian (also called Sikyonian) Treasury (p.16) was built around 500 BC out of porous stone and in Doric order. Excavations showed that two earlier buildings were found at the treasury’s foundation, one of these buildings is dated to around 580 BC and would have been circular in plan (a tholos); the second, dated to 560 BC was rectangular in plan with surrounding columns. Five relief metopes displaying mythological subjects, a superb example of 6th century BC sculpture, belonged to the latter building and today are on display in the Museum of Delphi. It is thought that this building was erected to house the chariot of the tyrant of Sicyon<\/a>, Cleisthenes<\/a>, who had been victorious in the first Pythian Games in 582 BC.<\/p>\n <\/a><\/p>\n The Siphnian Treasury was one of most beautiful buildings at Delphi. According to Herodotus and Pausanias, the treasury was built with the dekate, i.e one-tenth of the income from the exploitation of Siphnos<\/a>‘ gold and silver mines. Apart from its foundations, it was built entirely of shining, transparent marble and stood out for its richness and elegance in the sanctuary of Apollo. Its facade is distinguished for its exceptional ornamental compositions. Two Korai, set between parastades (the ends of the side walls) on the western facade, supported the weight of its lavishly decorated entablature. The frieze with its masterful scenes surrounded the entire structure to a length of about 10 m, parts of which are still preserved in the Museum of Delphi.<\/p>\n After the Siphnian Treasury, we came to a large turn, the so-called “Crossroads of the Treasuries”, which is surrounded by the treasuries of many Greek cities. All of these, including the treasuries of the Boeotians, the Megarians and the Thebans, date to the late 6th century and early 5th century BC.<\/p>\n <\/a><\/p>\n The Treasury of the Athenians<\/em> (p.30) is one of the most famous offerings and, since its restoration in 2004, is perhaps the hallmark of the sanctuary of Delphi. Built of white Paros marble, it was dedicated to Apollo Pythios and commemorated either the establishment of Democracy in the city of Athens, following the collapse of the Peisistratid tyranny (510 BC) or the Athenian victory against the Persians at the battle of marathon (490 BC). But it is certain that Persian arms from this Athenian victory were displayed on a triangular base running along the south side. The small structure is of Doric order, with two columns between the facade pilasters. 30 relief metopes of its frieze represent the exploits of two celebrated heroes, Heracles and Theseus, as well as Amazonomachy (the original decorations are on the exhibit at the Museum). The walls of the Treasury were covered with numerous inscriptions, including two paeans to Apollo supplemented with the musical notation of the ancient melody on the south wall (138-128 BC). In the 2nd and 3rd centuries AD the monument was used as the Delphi pawnbroker’s office, according to epigraphical sources.<\/p>\n <\/a><\/p>\n Nearby are some of the oldest and most holy ruins at Delphi – Spring of Ge and the Rock of the Sibyl <\/em>(p.35 and p. 36). The latter, known from Plutarch and Pausanias, must have fallen from the Phaidriades thousands of years ago and was believed to be a site where the first Sibyl began to give oracles when she came from Troy.<\/p>\n <\/a><\/p>\n On the opposite side from the Rocks of Sibyl lies the Halos<\/em> (p.37b), a building-free place used for Septeria, a religious drama which was held every eight years. Drama contained the reenactment of the god Apollo’s slaying of the serpent Pytho, performed by a boy whose both parents were\u00a0alive. Taken by the members of the Labyades up the Doloneian stairs<\/em> (p. 37a), the child would point to the serpent’s nest and the torchbearers would set it on fire. Then everyone had to leave without looking back, as Apollo did when he fled to Tempe to be purified. By this part of the Halos the chryselephantine objects, the silver bull and other finds were found under the paving of the Sacred Way in two pits in 1939.<\/p>\n <\/a><\/p>\n Next to the Halos, the colossal Naxian Sphinx <\/em>(p.41), mounted on an Ionic column 12 m in hight, rested on the base in the 6th century BC (today it is in the Museum). The Sphinx, which was connected with the myth of Oedipus (mentioned earlier in description of Thebes), was a mythical being of Eastern provenance. In ancient Greece, sphinxes were linked with tradition and primitive cults, and were frequently considered the guardians of tombs and sanctuaries.<\/p>\n <\/a><\/p>\n On the same level looking towards the ascending Sacred Way is a long Stoa of the Athenians<\/em> (p.42), built to house the trophies from the Athenian’s naval victories. It was 30 m long and 4 m wide and on its facade there were seven monolithic marble columns (four of which survived) holding a wooden roof. At its rear, the Stoa was supported by the polygonal retaining wall of the Temple of Apollo. It was built during the years 510-470 BC and had the inscription notes that the Athenians dedicated the stoa, the ropes from the boat and the prow figureheads to the god after defeating the Persians. The building appears to have been constructed with public funds to promote Athens’ important and leading role in the victory against the Persians.<\/p>\n <\/a><\/p>\n The famous splendidly-preserved polygonal retaining wall of the Temple of Apollo was built in the 6th century BC, and for centuries provided support to the built terrace atop which the temple was erected. The blocks employed for the construction and their perfectly fitted curved joins comprised a remarkable whole of static precision, construction perfection and artistic sensitivity. Throughout the entire length of the wall, around 800 inscriptions, primarily manumission acts, have been carved.<\/p>\n <\/a><\/p>\n Ascend the Sacred Way a little further where the probable base of the famous gold Tripod of Plataea<\/em>\u00a0(p.49a) stands. Athenians, after winning the battle of Plataea in 479 BC, spent 1\/10th of their spoils to built a gold tripod supported on a bronze column 7.5 m tall in the form of a three-bodied serpent. The Phocians stole the gold tripod during the Third Sacred War (356 – 346 BC) and the column was carried off by Constantine the Great to Constantinople where it still stands in the Hippodrome today, engraved with the names of the cities that took part in the victorious battle against the Persians. Nearby, the equestrian statue of the Roman consul Aemilios Paulus <\/em>(p.53), who defeated the king of Macedon Perseus at Pydna in 168 BC, was set atop a base about 12 m in length. The crowning element of the pedestal was adorned by a frieze that is considered to be the first historical relief and depicted scenes from the Battle of Pydna (the frieze is on display at the Museum). Another votive of Attalus<\/em>\u00a0(p.54) dates to the late 3rd century BC. This is a large Stoa, possibly two-storied, with ten Doric columns on the facade of each floor. In the 4th century AD it was converted into a cistern to supply the bath, located outside the precinct to the south, with water. Coming to the square in front of the Apollo Temple, Altar of the Chiots<\/em> (p.60a) lies on the left. This large altar (8.6 by 5.10 m) was dedicated to Apollo in the 5th century BC, according to Herodotus and the inscription on it. Another inscription on the base of it informs us about the privilege of promanteia, i.e. Chios’ right to consult the oracle before other Greeks. The Altar was made from black marble, apart from the base and epistepsis which were made of white marble.<\/p>\n <\/a><\/p>\n Since Temple of Apollo was the highlight of our visit, I left it for the end and proceeded further uphill. Right next to the Temple, there is the base of the acanthus column with dancers<\/em> (p.68) This porous base supported an 11 m tall column with acanthus leaves decorating its body and its top. Three dancers (today at the Museum) crowned by a stone omphalos were depicted on the column (330 BC). To the east is an oblong base belonging to the Offering of Daochos II<\/em> (p.70), the Thessalian tetrarch, who was a hieromnemon of the Delphian Amphictyonic League (336-332 BC) and a friend of Philip II of Macedon. The inscribed basis of nine statues is preserved, belonging to Apollo, the donor, his ancestors and his son. Next monument to the east is a horse-shoe shaped base<\/em>\u00a0(p.69) built for at least 18 marble statues dating to the 3rd century BC. It may have been a family votive. One of the statues portrays an elderly man, known as “the Delphi philosopher”. Higher still, attached to the north wall of the enclosure, are the remains of the famous Lesche of the Cnidians (Cnidian clubhouse)\u00a0<\/em>(p.77). In antiquity, lesches were places for assembling and discussions. This clubhouse was a rectangular hypostyle chamber with an area of around 180 sq m, dating to the first half of the 5th century BC. It was famous for its wall decorations painted by the renowned artist Polygnotus<\/a> – Fall of Troy to the right of the entrance and the Odysseus’ Descent to Hades, to the left.<\/p>\n\n
\n